Zhang, Zhen. Zhao, Bin and Graham Murdock. Zhao, Yuezhi. Zhu, Ping. Anderson, Marsten. Bichler, Lorenz. Critical Studies no. Amsterdam: Rodopi, , Button, Peter. Globalized in the wake of modern capitalism, literary modernity configures the literary text in a relationship to both modern philosophy and literary theory. Chan, Roy Bing. At the same time, modern Chinese writers used their work to represent social reality for the purpose of nation-building.
Chan, Stephen. Chan, Sylvia. Houndsmill: McMillan, Chang, Shi-kuo. Chinese Fiction from Taiwan: Critical Perspectives. Bloomington: Indiana UP, , Chen, Xiaoming. Chung, Hilary, ed. Amsterdam: Rodopi, Duke, Michael S. Huters, Theodore. Tang and K. Liu, eds. Kinkley, Jeffrey C. Journal Chinese Language Teachers Association 17, 1 : Corruption and Realism in Late Socialist China. Palo Alto: Stanford UP, While the media shied away from dealing with these issues, novelists stepped in to fill the void.
Corruption and Realism examines this rebirth of the Chinese political novel and its media adaptations, explaining how the works reflect contemporary Chinese life and how they embody Chinese traditions of social criticism, literary realism, and contemplation of taboo subjects. Larson, Wendy. Li, Qingquan. New York: P. Lang, Wang, Ban. Wang, David. Yang, Lan. Bai, Limin. Chang, Parrish H. Armonk: M. Sharpe, Foster, Kate.
Full text of "Journal of Chinese Cinemas - Volume 2 Issue 1"
London: Palgrave Macmillan, Tracking ideas of the child in Chinese society across the twentieth century, Kate Foster places fictional children within the story of the nation in a study of tropes and themes which range from images of strength and purity to the murderous and amoral.
Jones, Andrew F. Kinney, Anne Behnke, ed. Chinese Views of Childhood. Honolulu: University of Hawaii Press, Pease, Catherine. Scott, Dorothea Hayward. Chinese Popular Literature and the Child. Chicago: American Library Association, Woronov, T. Xu, Lanjun.
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Princeton: Princeton University, Xu Lanjun and Andrew F. Jones, eds. Beijing: Beijing daxue, Day, Michael. Fumian, Marco. Gong, Haomin and Xin Yang. From the perspective of its most prominent feature—microness—the authors investigate the dialectical relationship between microness and largeness embodied in its form, the context of its emergence, the conditions of its existence, as well as the issues reflected in its content.
Reading microfiction in both a literary and a sociocultural text, we argue that the smallness is an intrusion upon the largeness and hegemony of grand narratives on the one hand, and a reflection of a boradly changing reality on the other. Hockx, Michel. Rpt in Jie Lu, ed. NY: Routledge, , In both these periods, literary practice underwent significant changes as a result of major changes in the technological processes involved in the production and distribution of texts.
The article argues that a very traditional Chinese view of literature as a socially embedded act of communication continued to play a significant role in both periods, and was even further enhanced through interaction with the new technologies.
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Both the journals from years ago and the website of today represent literary communities that share a serious view of literature, albeit one that is not compatible with the familiar New Literature paradigm]. Leiden and Boston: Brill, , Internet Literature in China. NY: Columbia University Press, Ranging from the self-consciously avant-garde to the pornographic, web-based writing has introduced innovative forms, themes, and practices into Chinese literature and its aesthetic traditions.
Conducting the first comprehensive survey in English of this phenomenon, Michel Hockx describes in detail the types of Chinese literature taking shape right now online and their novel aesthetic, political, and ideological challenges. Offering a unique portal into postsocialist Chinese culture, this book presents a complex portrait of internet culture and control in China that avoids one-dimensional representations of oppression.
The Chinese government still strictly regulates the publishing world, yet it is growing increasingly tolerant of internet literature and its publishing practices while still attempting to draw a clear yet ever-shifting ideological bottom line. Readers interested in encountering these new forms of writing, some of which are no longer available online, will value this book.
Hockx interviews online authors, publishers, and censors, capturing the convergence of mass media, creativity, censorship, and free speech that is upending traditional hierarchies and conventions within China—and across Asia.
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Inwood, Heather. On the Scene of Contemporary Chinese Poetry. London: SOAS, Modern Chinese Poetry in the Age of the Internet.
Xu, Shuang. Alleton, Viviane. Leiden: Brill, , Behr, Wolfgang. Bing, Ngeow Chow.
Bruno, Cosima. Leiden: Brill. By inquiring into the mutual dependence of the source text and its translation, the study offers both theoretical insights and methodological tools that bring in-depth stylistic analysis to bear on the translations as against the originals. Through such a process of discovery, Cosima Bruno elaborates a textual exegesis of the work by Yang Lian, one of the most translated, and critically acclaimed contemporary Chinese poets. This book thus reconciles the theory-practice divide in translation studies, as well as helps to dismantle the lingering Eurocentrism still present in the discipline.
The aim is to link translations to the broader context, highlighting modalities and expectations of reception that have evolved within the social structures through which the translation of contemporary Chinese poetry has been circulating: the publishing industry, universities, the periodical press, public intellectual debates, and the market.
The article does not try to establish if this or that expectation are either real or perceived features of the source texts. Instead, adopting a wider sociocultural approach, the analysis proposes to shed light on the industrial and commercial dimension — the public life — of contemporary Chinese poetry in English translation.
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Amsterdam: Rodopi. Cao, Shou and Min Cong. Chan, Leo Tak-hung. Deng, Jin. Venezia: Libreria Editrice Cafoscarina, , Armonk, NY: M. Sharpe, , Feeley, Jennifer. It encourages readers and translators to become unshackled from rules, assumptions, and conventions as they reflect on the malleability and potential of poetry and of language itself.
Gamsa, Mark. To better understand the processes of its translation, transmission and interpretation during the first half of the 20th century, this book draws on an array of Chinese and Russian sources, providing insight into the interplay of political ideologies, cultural trends, commercial forces, and the self-definition of Chinese culture in the period under consideration. By focusing on the translation and translators of three writers, Boris Savinkov, Mikhail Artsybashev and Leonid Andreev, it analyzes the critical fortune in China of the modernist literature written in Russia during the two decades preceding the Great War and Revolution.
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Gao, Yangsheng. Goodman, Eleanor.
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And how does the act of translating and anthologizing these poets affect the ways in which they are read? Gottardo, Maria. He, Chengzhou. Henning, Stefan. Heroldova, Helena. Hill, Michael. Lin Shu, Inc. New York: Oxford University Press, paperback How, too, did he become a major commercial success, churning out nearly two hundred translations over twenty years? Leveraging his success as a translator of foreign books, Lin Shu quickly became an authority on traditional Chinese culture who upheld the classical language as a cornerstone of Chinese national identity.