If there is one critism, her thinking is geared towards block buster scripts for mass audiences. If you are not writing for that audience I found her book easy to read and very helpful. Skip to main content. About this product. Make an offer:.
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About this product Product Information While most screenwriting books focus on format and structure, Kate Wright explains how to put story at the centre of a screenplay. A compelling story, complete with intriguing characters and situations created with these screenwriting tricks of the trade can become a box office blockbuster film. Screenwriters will learn: Developing themes within the plot Using structure to define the story Creating memorable characters Establishing moral dilemmas and conflicts Achieving classic elements of storytelling in a three-act dramatic structure Mastering different genres.
Additional Product Features Dewey Edition. Show More Show Less. Add to Cart. Any Condition Any Condition. See all Ratings and Reviews Write a review. Most relevant reviews. A pitchfest is just what it sounds like: an intense, anxiety-producing opportunity to talk to industry insiders about your script. As in book publishing, there is a fair amount of criticism of the pitchfest concept—those who say that hardly any agents or editors sign deals with people they meet at such events, and that the event organizers profit off the naive dreams of new writers. They are profitable events, to be sure, but the key as a pitching writer is not to have any expectations going in.
And, best of all, you get to practice pitching, which is an essential skill in the screenwriting world. It takes the mystery out of it. While pitching well takes practice having a natural charm and persuasive manner helps a lot , there are a few rules to follow. The Garant-Lennon guide offers the following tips:. Ideally, before you begin the pitching process, you should have an arsenal of materials ready to show or send if requested, such as a logline, one-sheet, synopsis, and treatment.
See the resource list at the end of this article.
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Regardless of how well the pitch goes, Bowerman says that most people waste the opportunity by failing to properly follow up after the event. Even though These potential paths to production are lumped together because their value often depends on the specific qualities of the service or contest. Studios, producers, and agencies frequently look at the winners of established contests. When evaluating a contest, research how well the winners have done—did any deals follow? Will the contest get your work in front of real industry contacts?
Lists like The Black List and The Tracking Board are widely known and respected in the industry—plus you get feedback on your work. SpecScout is another reputable one. If an agency agrees to represent you, it will pitch your spec script to its contacts inside the industry.
Screenwriting is Storytelling: Creating an A-List Screenplay that Sells!
Agents specialize in one aspect of your career, such as selling your feature films. Managers consider everything you do, look at the big picture of your career, and are more likely to nurture new talent. Either an agent or a manager can help spread the word about your script, but only agents are regulated by the Writers Guild of America. Neither should ever ask for a reading fee. Agents and managers want to represent writers who can continually generate saleable scripts. In their guide, Garant and Lennon say that sending out your script cold is probably the least likely way to get an agent.
Get it up on YouTube or FunnyorDie or the hundred other sites like those. Probably a smarter path than reaching out cold to agents and managers is to find someone you do know—a person in the industry who can offer you a small break—because Hollywood operates on relationships.
BALLS OF STEEL: How to Write a Screenplay That Sells Itself
Without it, getting your script into the right hands, while not impossible, is a tricky proposition that requires luck and pluck. And everyone means everyone. So much depends on having the right story shown to the right person at the right time. While talent is part of that, access and timing are equally important, which means your success can be largely out of your control.
Also: Learn how a book becomes a movie.
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She is the publisher of The Hot Sheet , the essential newsletter on the publishing industry for authors, and was named Publishing Commentator of the Year by Digital Book World in Find out more. This site uses Akismet to reduce spam. Learn how your comment data is processed. Thanks for the article, Jane!
It has always my dream — to write a script for a movie.
So your tips are very helpful. This was a great to the point article filled with some of the most helpful advice about maneuvering through this industry. Thank you Jane for sharing your wealth. Hey Jane! Great article!